Sunday, January 3, 2010

Mario Salieri Online Free

"Which eye?" 2008


Still Wearing Diapers

Alien-action: Extract



ALIEN ACTION
IV-F 2005-'06 as
Comedy Alien -action is a revision and adaptation, by the pupils of IVF as 2005-'06, '95 of a text produced in the theater writing workshop "The cre-actors."
The work, which might be called a bitter tale, starring two aliens stranded on earth for a failure to the ship, hiding in an unoccupied apartment after the suicide of owner Joachim.
The 'real object of our reflection is the human being.
The pettiness, opportunism, greed is in stark contrast with the meanings of 'adjective' human '- in the sense of caring, compassionate, kind - and playing on the paradox, we attribute these qualities to creatures that "human" are not.
The story unfolds through a series of paintings that reproduce the same situation: the figures vary, but the logic remains consistent behavior: the propensity to exploit and manipulate to achieve a helpful staff.
The sincerity and generosity of our bizarre alien, able to be together without invading, to help without insulting, serves to highlight, by contrast, such as the hypocrisy, the propensity to deception, and calculating self-interest habits of mind and behavior are extremely common and from which the 'man does not know and does not want to break free. The powers of
aliens from the fact that the thought becomes energy when you think in the plural, "but the goodness in the round of these creatures can also introduce other considerations, because not always what is good is lawful and right ...!
uncomfortable with the complications of law, morality and religion, the aliens say: "Men: complicated", but certainly more severe a case is assigned to another category of people not "human": the cats.
Opportunists and robbers as a man, but for such character and nature, not for choice, the cats have expanded the horizon of reflection alluding to the final song behavior which, although not directly in the text, are always related to the basic theme of opportunism, exploitation conducted for personal gain.
By becoming carriers of the point of view of animals, cats considered the man most bestial predator and conclude: "Men: no good."
CHARACTERS
Lenuccia: concierge
Miss: Miranda
old music teacher: student teacher
Cettina: Rosetta
student teacher: student teacher and daughter of the dentist The dentist
Laquaglia
Diapason: Harmonic
alien: alien
Cecilia tenant of the building
Mrs. Ippolito
Faruccio tenant of the building known as "The Gronc": smugglers, tenant of the building
Donna Bettina: mother-in-law of Gronc
Felicetta called "Multifilter": wife of Gronc
Nunziatella: Gronc daughter, is pregnant
Maga Eccelsa
Giovina: assistant of the magician
Berenice: living with the deceased tenant Joachim
Lopreno Lawyer: lawyer Berenice
Cosimina: tenant exhausted
Ms. Tilde: blackmailer who plays a nun
Mingucci Pelagatti: usurer
Giuseppe Pelagatti: The moneylender
journalist
De Vico broadcaster
Spino Sketch: roker
The demented diva Donna Fernanda
: director of a museum
Head condominium
M. Antoinette: daughter of the late Joachim Alberto
Sebastian: lawyer Maria Antonietta
Four cats
The work is set on the fourth floor of a building where there are two apartments.
Some scenes take place on the landing, and others in 'flat, Joachim, and others still to face, belonging to the smuggler.
[...]
SCENE 12 (Concierge, Hippolyte)
Concierge. (SENT noises coming from the apartment of Joachim) I feel the meat stand on end! He 's back Joachim!
Hippolyte. What are you saying!? Joachim is dead!
Concierge. Sign ', if not him, not his soul finds peace and cries and moves furniture and makes these complaints ...
external voice. Lenuuuccia ....
Concierge. Ahhhh! The dead ... He called my name ... Sign 'I want to bring with him!
Voice. Lenuccia ....
Concierge. Go away, go away, that I have sinned!
Hippolyte. E 'on the stairs!
Concierge. Mamma del Carmine!

SCENE 13 (Concierge, Hippolyte, Maga, Giovina)
Maga. (ENTERING WITH ASSISTANT YOUTH) Lenuccia!
Hippolyte. And look at her: the lady Cecioni!
Maga "I" am the great magician ... E-CCEL-sa!
Giovina. Palmist - Astromante - prescient - Medium - Receives by appointment - from 10.00 to 23.00 - Closed on Sundays!
Hippolyte. Lenuccia was impressed because it is convinced that there is in the soul of Joachim!
Maga. An infestation of ghosts? And why did not you called me right away?
Concierge. And the cards that were doing the soul of the deceased?
Maga. Friends, this is the field of great sorceress ... E-CCEL-sa!
Giovina. Expert in esoteric sciences: telesthesia - Preestesia - Metagnosia - turn with confidence - strictly confidential!
Concierge. So let it go to purgatory the soul of Joachim!
Maga. Fill out the card first, friend! ... Giovina!
Giovina. (LAW) Physical phenomena: throwing objects? Open doors? Levitation? Please specify!
Concierge. Move the furniture ...!
Hippolyte. Moving?
Maga. Telekinetic phenomena!
Giovina. Hits? Scratching? Percussion? Please specify!
Hippolyte. Sounds ... different!
Giovina. (THE MAGA) Raps?
Maga. Raps!
Giovina. Flares? Nebula? Fires?
Concierge. The light comes and goes!
Ippolita. A system failure?
Maga. Phosphorescence ectoplasmic!
Giovina. Appearance of ghosts, ghost pink-orange of a woman without a head? Monaco dressed in black? Classic white model with chains? Please specify!
Concierge. Mom's Car ...!
Giovina. The amount of barking? Meow? Chirps? Squeaks?
Hippolyte. They feel ...
Giovina. Palpatine? Pat? Pinch? Slap? Fists? Kicks? Bites?
Hippolyte. (SHOUTING) Signoraa!
Maga. It 's a poltergeist!
Concierge. San Gennaro! It 's a bad thing ...?
Maga. Ugly! But it can resist the powers of the great enchantress E-CCEL-sa!
Giovina. Spirits - Ghosts - ghosts - we have counted the hours-hour call meal - that much when I eat!? - 472 to 58 35
Concierge. We are in your hands, maga ...
Maga. E-CCEL-sa!
Concierge. The torches are at the door!
Maga. Go quiet, friend! (LA doorman AND WOMEN COME HIPPOLYTA)

SCENE 14 (Maga, young, Diapason, Harmonica)
Maga. Giovine, is' apartment and complete an inspection of the card!
Giovina. I? Sor ... 'greatest, but you want to play?
Maga. And what are you afraid? It 's a life you do the ectoplasm and the poltergeist!
Giovina. Yes, it's good to the soul of the deceased, but to deal with a true spirit ...!
Maga. Because ... you say that there may be a true spirit ...?!
Giovina. Well telekinesis ... ... ... raps ectoplasmic phenomena!
Maga. Damn ... If I had imagined, with the cabbage that I accepted!
Giovina. So we go?
Maga. Eh ... now we can no longer! ... Come on, let's take a look and if there ... even the shadow of a spirit ...
Giovina. ... Appearance of a ghost ...
Maga. ... A vague suspicion of poltergeist, then we ... ... WE
Giovina. ... There we go!
Maga. Show me the way!
Giovina. It 's all dark!
Maga. Light the torch!
Giovina. (ENTERING WITH CAUTION IN GIOACCHINO HOUSE, BUT THE FOLLOWING MAGA) E '... permit?
Maga. Safer, stronger!
Giovina. What is it ... anyone? (DIAPASON and harmony PLACE THEIR SHOULDERS. ALL THE ADVANCE GROUP cautiously)
Maga. Heck, more energetic! The spirits must scare them!
Giovina. And then you try it!
Maga. Do not disturb by any chance ...? ... (A YOUTH) do not respond!
Giovina. Sor'Ecce ', you have scared them! Why not use some formula ... so give him the coup de grace!
Maga. Right! Can you hear me, spirit of earth, if you're ... knock once!
Giovina. But if you do not want to fly, Do not create problems, eh!
Maga. I knew no answer tiptologica!
Giovina. So there we go! (Turns and IS FACING THE ALIENS) Sor'Ecce'!...
Maga. No answer because I feared, the coward!
Giovina. Sor'Ecce '... not v'allargate!
Maga. It does not have the courage to reveal itself, this ugly son of a ectoplasm!
Giovina. Sor'Ecce '... hath been revealed ... there is!
Maga. (Voltaire) Where?
Maga, young, Diapason, Harmonica. Ahhhh!
Giovina. That entity are they?
Maga. And I know what the hell! Try to administer the questionnaire to Scientology!
Giovina. For if you are subject to spontaneous combustion? (No answer) is that you are not cannibals ...? (NO ANSWER) Sor'Ecce ', questioning the dead ... no reply!
Maga. Pass me the pendant that I try to hypnotize! (YOUTH give them to PASS) Watch me ... watch me!
Giovina. Why?
Maga. But not you, stupid, they! Look ... look at the spirit of the earth, and listen closely to what I'm about to tell you: (WHILE THE MAGA rock the PENDANT, the aliens move his head, ending up HYPNOTIST YOUTH) three times now I pop my fingers, and Three of you will say to the great witch-E-CCEL know what place you come from ... and why you're here! (SNAP YOUR FINGERS TO THREE TIMES, BUT THE ALIENS ARE JUST AS)
Giovina. (LOOK TO THE HYPNOTIST MAGA) Battipaglia because I come from Aunt Mary ....
Maga. What are you doing here, idiot!
Diapason. It makes a bua imbechille!
Maga is young. What did he say? Harmonic
. We loves to Imbechille!
Diapason. Imbechille ...
Harmonica. Cara!
Diapason. E-cchel Maga-sa ...
Harmonica. Cara!
Maga. Tell me, mysterious entity, by which world are you from?
Giovina. But if you do not want to say ... do not take it, eh! Harmonic
. We come from the planet Gaio, Galaxy Candy!
Diapason. NCG Thirteen!
Giovina. From where?
Maga. From space!
Giovina. From space? And how did you get here?
Diapason and Harmonica. We pass a wall!
Maga. Through walls?!
Giovina. But then they have certain powers us!
Maga. Lucky them! What else can you do? Harmonic
. We sound bua!
Maga. Pranotherapy!
Diapason. Law thought!
Giovina. Clairvoyance! Harmonic
. Blocks negative energy!
Maga is young. Indeed!
Diapason. We positive energy positive ... but you do not Dike men .. Harmonic
. O men suffer ghenghive!
Maga. Noo! And who's talking! Here you should know anything! We make a better society ... I'll put my name ...
Diapason. We put energy ...
Maga. And I look the money!
Diapason and Harmonica. Yes yes yes yes yes!
Maga. If a customer wants ...
Harmonica. Radar reghistra customer avvichinamento! Beep beep beep ... beep beep beep!
Maga. Someone is coming?
Giovina. I hear footsteps!
Maga. Do not let him in, I have not explained what to do!
Giovina. I'm holding, you hide them!
[...]
SCENE 21 (Lopreno Lawyer, Diapason, Harmonica)
(ADVOCATE knocked on the door GIOACCHINO)
Diapason. (OPEN) Chiao!
Lawyer. Hello baby, is at home mom?
Diapason. Mom: chiel! Lawyer
.. Uh, poor thing, you're an orphan? Then you call me daddy? Harmonic
. Dad: chiel! Lawyer
.. ... You can be the aunt you've got an aunt, right?
Diapason and Harmonica. Chiel!
Lawyer. The grandmother ....!? All
. Chiel!
Lawyer. But this is an insane asylum or an orphanage?
Diapason. Men Krka Berenice!
Lawyer. Yes, Mrs. Berenice: ... are his
Harmonica. ... Vavocato!
Lawyer. And how do you know? Harmonic
. We know everything-everything-everything!
Diapason. Berenice does not give vavocato ding-pennies! Harmonic
. Berenice did not, Berenice does not!
Diapason. ... And you suffer!
Lawyer. But as you know all these things? Harmonic
. Law thought!
Lawyer. But that good! ... And where did you learn to "read minds"?
Diapason and Harmonica. Chiel!
Lawyer. Again?! Harmonic
. Gaius planet!
Diapason. Candy Galaxy! Harmonic
. NKG 13! (BRING THE ALIENS IN THE HOUSE GIOACCHINO)
Diapason. Road: tired tired! Harmonic
. We give chair! (Concentration and a chair move around and zoom lawyer)
Lawyer. It 'amazing!
Diapason. Earth wants to do sochietà with octave and harmony!
Lawyer. I can not believe this is exactly what I was thinking! Harmonic
. We vavocato help us ... help!
Diapason and Harmonica. Yes yes yes yes yes!
Lawyer. It 'a great idea! For your fee ... we can always be negotiated!
Diapason. Vavocato says "honorary"!
Lawyer. I ... ding-pennies! Harmonic
. We did not ding-pennies!
Diapason. ... Can not do ... with sochietà vavocato!
Lawyer. No, you do not understand: the fee is for ...
Diapason and Harmonica. ... And you suffer!
Lawyer. But what counts money, when it comes to the happiness of two extra-galactic?! You will work for me though ... I can not pay! Harmonic
. Vavocato ...
Diapason. Dear! Harmonic
. Radar reghistra land avvichinamento! Beep beep beep!
SCENE 22 (Lawyer, blackmailer, Diapason, Harmonica)
(ENTER A WOMAN DRESSED TO SISTER)
blackmailers. Peace and good, lawyer Lopreno!
Lawyer. Peace and good, sister!
blackmailers. Oh, what a sweet sight, what a show ... that joyous uplifting show ... oh ...
Lawyer. What show?
blackmailers. A father who embraces his offspring, his babies, his Frugoli, its ... They are her children?
Lawyer. No sister, are my partners, my "dear members! Can I help you?
blackmailers. Here we ... religious order of "saint of neglected Ripilina" ... let's vote ... complaint!
Lawyer. ... To complain? It will mean renunciation of ...!
blackmailers. No, a lawyer, just slams denounce sin and ...
Harmonica. Ripilina says "sin"!
blackmailers. Sin is a transgression, a sin!
Diapason. Too bad no-good?
blackmailers. No, ... It is not good, because it offends (HIGH POINT INDEX) His infinite Diapason
goodness. (LOOKING AT THE CEILING) Bulb ...
Harmonica. Cara!
blackmailers. For this we denounce the sin and the sinner ...!
Lawyer. Even the sinner? And to those who complained?
blackmailers. The judiciary, of course!
Lawyer. What nonsense! Sin is not a crime!
Diapason. Lawyer says "crime"!
Lawyer. The crime is conduct which is prohibited by law.
blackmailers. By law ... human! Not ... (POINT INDEX UP) "that" ... but ... (points the finger down) this! Harmonic
. Tile?!
Diapason. No good offense?
Lawyer. It is not permissible to break the law!
blackmailers. But it depends on who breaks, right, sir? And often it is not lawful, but can be very ... very profitable!
Lawyer. Sister, come to the point, rather than rant and statutory interest ...! Harmonic
. Vavocato says "personal interest"!
Lawyer. One thing that is useful, convenient for anyone.
Diapason. Interest: good!
Lawyer. Well ... it's good, if I may ask, if not breaking our laws ...
Harmonica. ... Tile!
blackmailers. And especially not against (pointing upwards) to "that" the law!
Harmonic. ... "Bulb"
blackmailers. ... And principles of morality!
Diapason. Ripilina says "moral."
blackmailers. Are those unwritten rules that a company gives, and respect the feelings (Place hands back in his chair) ... common!
Diapason. poltronchina of ...?
Lawyer. Sister, if all this makes sense: what have I to do?
blackmailers. You are a sinner and I ... to vote ... I denounce it!
Lawyer. But do not make me laugh! To report takes the facts established, certified, supported, and she ...
blackmailers. Here it is ... "the fact"! (Hands him a picture) ... Does the lady ... who is with her?
Lawyer. The court Annarosa Cenci!?
Diapason. (CONCENTRATION) Lawyer and ... ghiudiche
Harmonica. ... Ago with a lot of good sleep!
blackmailers. ... Let's call it "sleep"!
Lawyer. Sister, this picture ...
blackmailers. ... Shows that she has coveted a neighbor's wife!
Lawyer. But what lust, Let Us ... The Cenci is a power strip!
blackmailers. But she was "a nap" ... with a shoe!
Lawyer. The law does not punish fornication!
blackmailers. The law ... (gestures down)
Harmonica. ... Tile!
blackmailers. ... But ... (POINT INDEX UP) "Law"?
Diapason. "Bulb"?
blackmailers. And the moral?
Diapason. Vavocato poltronchina broken?
Lawyer. But there is no offense, dear shareholders, there is no crime! On the other hand, maybe the judge allowed ...? No, dear members! ... The strip was "very" willing, therefore there is no ... not even the crime of rape!
blackmailers. And to judge of corruption ...?
Lawyer. What corruption?
blackmailers. He wants to hear ... (shows a box) comment sound! ... In a "sigh" and the other, she talks about the process and Santucci says ...
Diapason. (CONCENTRANDIOSI) My Arm
assisted Santucci ... ... must win cause!
blackmailers. And the process ended with the acquittal of Santucci for "insufficient evidence"! Curious coincidence, right!
Lawyer. This woman, dear members ... it's wicked!
Diapason and Harmonica. Ripilina ... no good?
Lawyer. This woman, dear members ...
blackmailers. Games People Play, lawyer? "Dear members," our "good lawyer" has committed a grave sin, a crime that offends ... (gestures TO UP)
Harmonica. ... Light bulb!
blackmailers. ... Is contrary to morality ...
Diapason. ... ...
poltronchina of blackmailers. ... And breaking the law ... Harmonic
. ... Of tile!
Diapason. (CONCENTRATION) Ghiudiche suffer!
blackmail and Attorney .. Suffer? Harmonic
. Ghiudiche ago: Ah! Ah! Ah! Ah! Ah!
Lawyer. Yes !.... The judge was suffering, so I ...
Diapason. Data and boats or bua: viaa!
Lawyer. And give ... "boats or" What is completely lawful, permitted by law! Harmonic
. No offense to tile!
blackmailers. "Dear members," explained the expensive lawyer is not a "right" thing to "boats or" the judges!
Diapason. But ghiudiche suffers ... ..
Harmonic and banquet forum: good!
blackmailers. Not always what is good is lawful and right! Right, my lawyer? This explains the "dear associates"!
Lawyer. This woman's mind! Harmonic
. Harmonic does not understand!
Diapason. "Good" and Lech-ghiusto ...
Harmonica. ... Banquet forum: good ...
Diapason. ... Banquet forum: Lech-ghiusto!
Lawyer. Right!
blackmailers. But not according to the law!
and Harmonic Diapason. Tile no-good!
blackmailers. The law is good, lawful and fair!
Diapason. (AS IF ITS MECHANISM TO START JAM) Uooomìni: Congratulations ... fsc fsc ... ed!
and Harmonic Diapason. Biz biz biz fsc fsc fsc ...
blackmailers. Take note of repentance, a lawyer, if he wants to avoid the complaint!
Lawyer. If the problem is only that, I repent, I repent it now: look at how they are sorry! (He kneels)
blackmailers. Do not be ridiculous: you purchase a gesture ... a noble, generous!
Lawyer. As a gesture?
blackmailers. Bid now!
Lawyer. How much?
blackmailers. € 10,000!
Lawyer. But there is one offer is a steal!
blackmailers. If not it goes well, I'll have to denounce the judiciary ... to vote! Harmonic
. But vavocato Santucci helped!
Diapason. Vavocato good!
Lawyer. Right! For the human law may also be a crime to corruption, but I have sinned ...
Diapason. and harmony ... the light bulb!
Lawyer. No! ... Because the intention was noble and generous: I wanted to help the poor Santucci!
blackmailers. That "criminal" by Santucci!
Diapason. Men said ... "criminal"!
blackmailers. One who has killed his mother-in-law! Harmonic
. And ... suochera suffer?
Lawyer. Now ceased to suffer! Harmonic
. Criminal ...
Diapason. Dear!
Blackmailer. But as my dear! It is neither good nor take out a dear mother-in-law, even if the dear mother-in-law is neither good nor dear!
Diapason. Prrrr ... ... prrr goooonnn! Harmonic
. ... Noooo good-criminal-Lech-ghiusto?
blackmailers. No: it is not lawful and it is unfair for the law ...
Harmonica. ... Tile
blackmailers. ... Is not good and it is unfair for the law ...
Diapason. ... Bulb
blackmailers. ... And offends the moral and
Harmonic Diapason. ... Of poltronchina!
blackmailers. The well explain these things to his "dear members, dear lawyer, who helped her" dear " criminal!
Diapason. Diapason did not understand! Harmonic
. Criminal broken tile-dear-good-Lech-ghiusta: criminal-dear-good-noooo-ghiusto leche!
blackmailers. Right! Harmonic
. E-Lech-ghiusto good lawyer helps criminal nooo-dear-good-Lech-ghiusto that fact (such as loss IWRM) offense mattoooonella ...
Diapason. leche-nooo! ... Harmonic
. ... Sin ... lampaaadina
Diapason. ... Nooo-good-ghiuuusto! Harmonic
. ... And offffeso poltronchiiiiina?
Lawyer. The right to defense is required by law! Harmonic
. Uooomìni: Congratulations ... .. fsc put ... ed!
Diapason. Diapason ghiiiiira ... (LOSS IWRM) booobineeee! Harmonic
. Harmonic bua sensors ... short circuit ... chiro-chiro-in heart-to-to! (Weir on the ground).

SCENE 23 (Lawyer, blackmail, Mingucci, Joseph, Diapason, harmonica)
(from two individuals)
Mingucci. There is Mrs. Berenice?
Lawyer. Who's looking for?
Mingucci. Are Mingucci
Giuseppe Pelagatti. ... The son of Cyrus!
Lawyer. Never heard of him!
Mingucci. Ciro Pelagatti?
Lawyer. No, Mrs. Berenice ...!
Joseph. Sister, you know ...
blackmailers. (Imitating VOICE AND TRYING TO WIN THE EXIT) No, I do not know!
Mingucci. Why the rush?
blackmailers. I'm passing ... I was just going away ...
Joseph. (Discover the face) But how is a small world! ...
Min and Joseph. Mrs. Tilde!
blackmailers. Do not cry: I want to ruin?
Mingucci. My father is looking for you too!
Joseph. Mica is not good to ask for money ...
Mingucci. ... And then disappear when you need to return them!
Joseph. A debt is a debt!
blackmailers. Not've got, if I had them ... and Low
Joseph. Get it!
blackmailers. That 's what I was doing, but if the figure continues to rise ...
Joseph. The pacts will know! Harmonic
. (Resume) End Short-chircuito!
Diapason. Sensors: no bua!
Mingucci. If not repaid the money ...
Joseph. ... With interest ...
Mingucci. ... I broke my fingers ...
Joseph. ... One by one! Harmonic
. No touching Ripilina!
Joseph. Are you angry with me, little one?
Diapason. Ripilina: bua done!
Lawyer. Do not you meddle! Harmonic
. Let Ripilina!
Mingucci. Otherwise you do to me?
Joseph. It gives you the totti!
Mingucci. Uh! What pauraaa! Harmonic
. Harmonic Diapason
lever mana .... Energy: far away! (The two criminals stuck)
Mingucci. Let me, Giuse '!
Joseph. And who do you take?
Mingucci. I can not even move ... a muscle!
Joseph. Neither do I!
Lawyer. What have you done?
Diapason. Diapason blocked negative energy!
Lawyer. Amazing!
blackmailers. But how did you do? Harmonic
. We chiel Energy
Diapason. Positive Positive Positive Energy ...!
blackmailers. Angels in heaven, help me ...
Lawyer. They are not angels, they are aliens, and in company with me!
blackmailers. And you might also block ... Pelagatti Cyrus? Harmonic
. Chiro ... no good?
Lawyer. It 's a loan shark!
Diapason. Vavocato explains "Loan shark"!
Lawyer. E 'that gives people a lot of pennies ... ding-
Harmonica. Usurer ...
Diapason. Dear!
blackmailers. But then again ... they want more, more, more! Help me ...
Lawyer. Sister, my "dear associates" ... do not cooperate with criminals of his ilk!
blackmailers. Already, work together with those of his stack! Harmonic
. Prr .... Biz spit ... ... ... short short chircuito chircuito.!
Diapason. Diapason lever mana, energy: far away! (ADVOCATE AND BLACKMAIL stuck)
Lawyer. But we are partners!
Diapason. Vavocato made what is not good! Harmonic
. When vavocato good ..
Diapason. Vavocato free!
Mingucci. Girls ... ... I'm good!
Joseph. I am also very good! ... let me go free!
Mingucci. We have to go help my dad ... ...
Joseph. ... That is so sick!
Mingucci. He has crushed my heart ... ...
Joseph. The lungs ... ... ... spolmonati
Mingucci. The liver ... ... ... sfraganato
Diapason. and Harmonica. Santa suffers?
Joseph. Yes ... it is blind! ... And when I see you coming ...
blackmailers. ... Cries miracle, I see!
Joseph. No ... not blind ... is dumb! ... Yes, silent ... and he always says ...
Mingucci. How did I ever have a child so stupid! Harmonic
. Harmonic offers mana ...
blackmailers. Noooo! There are deceiving! Just free, I will smash your fingers! And then broken off to my sister, my children ...
Lawyer. A nun with children? Ah ha! Too bad "bulb": no good!
Diapason. and Harmonica. No good?
blackmailers. No! It 's good ... very good ... I have them taken ...! Four kids now ... sob
Harmonica. Picchini suffer?
blackmailers. Yes! ... Agony cry, writhe!
Diapason. Diapason puts finger ...
Lawyer. Nooo! She did not give ear! Just free, the offender will begin again with his blackmail! Harmonic
. Vavocato says "blackmail"
Lawyer. And 'something is not legitimate, not just, that is against the law ...
Diapason. ... Of tile?
Lawyer. Of tile, lamp, chair ...
Harmonica. No good ... no good! Blackmail gang (LOSS IWRM) valvoooole!
Diapason. Ghiiiiira blackmail ... (LOSS IWRM) booobineeee!
Joseph. Do not take it anymore!
blackmailers. I'm fainting!
Lawyer. Help me!
Diapason. All men made bua! Harmonic
. Harmonic puts his hand back all healthy healthy!
and Harmonic Diapason. Yes yes yes yes yes! (TUNING FORK OVER THE LAWYER AND THE RICATTARICE, HARMONIC TWO usurers and all recovered MOBILITY ')
Diapason. Now Mingucci boats or to give Ghiusè! (They kiss usurers)
Harmonica. All
Ghiusè .... Dear! Harmonic
. Ghiusè boats or to give Ripilina (GIUSEPPE Kiss the blackmail)
Diapason. All
Ripilina .... Cara!
Diapason. Ripilina boats or to give vavocato! (KISSES BLACKMAIL THE ADVOCATE)
Harmonica. Vavocato
... All my dear!
Diapason. It all comes back to father and picchini suffering. All
. Yes yes yes yes yes!
Mingucci. Thank you ... thank you! We will meet again soon, Ms. Tilde!
Joseph. Thanks! (COME)
blackmailers. Thanks, kids! We will meet again soon, lawyer Lopreno! (OUT)
Lawyer. My Dear Members !.... my members! ... We'll meet again ... soon! (OUT)
Diapason. Vavocato .... (ADVOCATE CLOSE THE DOOR IN THE FACE)

Saturday, January 2, 2010

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The bars in:



BARS IN
III and IV as F 2004 - '05
The text of the play, The bars in , created during the school year 2004-'05 by the students of III F and IV F del Liceo Scientifico "O. Tedone "tackles the theme of war between the poor and questions about the meaning of true solidarity.
protagonist of the work is not a single character, but an entire square, with its inhabitants always fighting with each other, and the story of Pupetta, the bastard of an old countess, who seems to be the plot of the work, is actually little more than a pretext to stage this very web of grievances, this little clash of egos, which are no longer such if they look through the eyes of those who have nothing.
All work helps to bring out the clichés, the clichés that accompany it, as a condemnation, certain social categories: the Southerners are all ignorant and mobsters, the Albanians are dirty and lazy, the gypsies are thieves, who had to do with justice can not be a criminal!
And this place can be basically regarded as a metaphor of our society, which leaves non-EU cramped space of a dumpster, and treats the elderly as bulky items, offending their dignity.
No wonder, then, if these poor victims, almost as a mechanism of self-defense, attempting to rebuild themselves on who is weaker than them. This final thought, which then spreads to comment on the meaning of "true" solidarity, is entrusted to the rude voice of what seems like the most evil character, and is, instead, only the more conscious, the more bitter.
CHARACTERS
Pasquina the mare: Puglia commoner, pregnant eighth son
Pantaleo husband Pasquina, peddler, selling elastic
Genzella: commoner Apulia, unmarried
Mingucci: Genzella brother, manages a sister cafe
Gennarino: newspaper
Peppino old, lives at the hospice
Dorothea old, lives at the hospice
Meme: old, lives at the hospice
Duke: old love Meme; lives hospice
Postino
Tsufai: Albanian without residence permits
Petar: Albanian
Alinia without a permit, known as "Evil": non-EU Romania. Countess Constance Beneplacido
Sofia Apollonia:
old aristocratic Countess Cornelia Maria Euphrasia: daughter of Countess Wilhelmine
nephew of the Countess Marietta
: Neapolitan ruler of Countess
John Barracuda, known as "Bluebeard": ex-convict
Leopoldo homeless in the province of Rome
Odysseus: psychopath
Lady Augusta tourist trip
Lady Red, Green married: Tourists on trip
Dr. Eliana Treasure: tourist Precious
trip in Virginia: Sightseeing tour in
Kumpan:
pomana Gypsy: Gypsy
Kris:
Kantina Gypsy: Gypsy
Ghertrude:
Marozia hospice nurse: The nurse hospice
Pupetta: dog of the countess is a mongrel . Until the thirteenth scene, the viewer must believe that it is a girl
The action takes place in the square of a semi-ruined village after an earthquake.
At the bottom there is the villa of Auditors Beneplacido; through a large window, you can follow some of the scenes that take place inside the villa.
On both sides there are the crumbling houses southern of the two, the newsstand and the house of the newsstand Bluebeard. The square is located a bench, are arranged side a wobbly table and four chairs unstable, which constitute the "coffee" in the country. An arrow points to the hospice.

[...]
SCENE 2
(Pasquina, Genzella, Pantaleo, Mingucci, Gennaro, Peppino, Dorothea, Duke, Meme, postman, Tsufai, Petar)
Gennaro. It seems to me that someone is coming!
Dorothy. Isolina! ... E 'Isolina who picks me up!
Mingucci. Needs', come and see what is to come a Christian!
Pasquina. Run needs', is an angora cecato what is the matter!
Pantaleo. It seems to see the postman!
(STALLS FROM THE POSTMAN ARRIVES IN BIKE)
Dorothy. Do you have a letter of Isolina?
Petar. Leter? Leter coming?
Duke. Villano plebeian pay franked this ...!
Tsufai. Stare Leter of Albania?
Postino. Albania? She is Albanian?
Genzella. Who, me? 'Nziamai!
Postino. Not her - "she"! ... (Insert TSUFAI) he-"she"!
Genzella. That female is well!
Pasquina. And why do not you Penza Propp! (RIDE)
Genzella. Na! ... He brayed the mare!
Postino. Give me his name, so check!
Tsufai. (INDICATING Gennarini) His name?
Postino. Yes, his name!
Gennaro. Sorry, but I do not I can give my name?
Pantaleo. Provesso ', you're making a mess!
Postino. I am not a professor! So Who's Albanian here?
Tsufai and Petar. (THE EACH) He!
Postino. I understood both Albanians. And how did you hear?
Petar. We came ... GOMON!
Dorothy. And is not that you saw Isolina?
Tsufai. Isolina No, just the beach!
Postino. Where you have the address?
Genzella. Provesso ', those holding the "dormicilio" dendro' cascionetto to ours!
Pasquina. And dendr'al cascionetto, keep well "mangicilio!
Genzella. And yes! ... That is our strafocano the rhyming, these two sorquare!
Postino. Let me understand: you live here?
Tsufai and Petar. Yes!
Postino. But there you have a residence permit?
Tsufai and Petar. Siiiii!
Gennaro. Provesso ', not even those do not take the permission of the kitchen!
Postino. But then they can not stay!
Pantaleo. And we told you ... But they are "chic unit does not take"!
Postino. Without permission, you can not live in Italy!
Mingucci. Did you send? In Italy no you can sit!
Tsufai. Tsufai always on foot!
Mingucci. EU ... Stufai, and you believe that I did not warn you that as I wander, at one time I go to my good sdirippare above the seats!
Gennaro. Mingu ', that is not "your good seats": that is the chair of the good soul! Provessore ... when there was an earthquake, that chair ...
Postino. But I care that you want your chairs!
Tsufai. Stare Leter of Albania? You must check!
Petar. Petar search Leter of Albania!
Postino. Spring my bag: quit it!
Pantaleo. EU, firecrackers, soaking the bag provessore!
Pasquina. And never the strong? Provesso ', Albanians, where their eyes, I hold our hands!
Pantaleo. Still going arrubbando, these Marioli! But it was felt with me, have been warned!
Duke. These miserable get drunk and harass the ladies!
Genzella. Those pigs!
Pasquina. Nor needs', as you liked that you mollestavano well to you!
Genzella. Eh ... The evil belief of sucks, as does, the Penza Accossato!
Petar. Petar Genzel no molesta!
Genzella. And your hands do not you know the cionguare?
Peppino. These infamous hope to marry an Italian!
Duke. Because of citizenship, you know?
Mingucci. You Solamar that 'Romania's Alina ndrocchia you could catch you!
Genzella. And yes, we couple that file and rasp!
Pasquina. Stufai and malicious! What a rare thing!
Genzella. But if you go Propp mo ...
Duke. I'll be forced to challenge you to a duel!
Genzella. Get up to half, that other babbione fool, that I have to ammen spetrone in a cross of the senses in these pigs!
Tsufai. Stupid! You always do bad!
Petar. I do not fate at all. You misunderstood: Tsufai thief!
Tsufai. Petar thief as a thief and a lie to say: Petar Cheese Factories, Tsufai good!
Petar. I do not steal, I never fate!

SCENE 3 (Pasquina, Genzella, Pantaleo, Mingucci, Gennaro, Peppino, Dorothea, Duke, Meme, mailman)
Pantaleo. We need to apologize, provessore that those, Albanians ...
Mingucci. ... Are like animals!
Genzella. Animals stink!
Postino. They made me shake!
Gennaro. But what is mail?
Postino. No! I came here to steal your bag for me simple pleasure!
Pantaleo. What did the provessore?
Gennaro. Boh! ... Then says that the door!
Postino. (Reads the address on a letter) th ...
All countess Sofia. Apollonia ... Beneplacido Costanza!
Postino. Where do you live?
Pasquina. Eh ... Not dendro is changing 'the newspaper as Gennaro, the Condessa ... All
. ... Sofia Apollonia Beneplacido Costanza!
Gennaro. And that does not make the night on the bench, as Leopold!
Peppino. And not even become a hospice cod in containers!
Meme. Not yet! ... Why the witch's daughter, Countess ... All
. Cornelia Maria Euphrasia!
Meme. ... Someday the spring in the hospice!
Peppino. How did Isolina!
Dorothy. Isolina I was not let go, I will pick and return to live together!
Meme. Dorota ', a mother bell hundred sons, but a hundred children will not field a mom!
Postino. So you can find out where the Countess lives ... All
. Sofia Apol ...
Postino. Yes, that! All
. (INDICATING THE VILLA) There!
Mingucci. It 'the only home she's not with the scofolata tramoto!
Pasquina. And we need to say?
Genzella. With the money that has also begged to Christ! (THE POSTMAN pockets the dairy)
Postino. (Reads the address) the mare Lady Easter!
Pasquina. Na! And who writes to me to me?
Genzella. And who can write in a mare? A dummy!
Postino. The general body waterworks!
Genzella. Pasqui ', and know that I write this general Lend?
Postino. It is not a general!
Genzella. It should be ', if not the top is hell: the one you wrote that if the segments of each momendo the stric ... marciappieto
Pasquina. Na! He talked about "Ava like lava!"
Postino. (READ THE ADDRESS ON ANOTHER LETTER) Domenico Musolino!
Dorothy. Isolina? ... Let me look, for me, it's my daughter!
Mingucci. UHE 'nghiummata: Musolino!
Peppino. And who writes Mimmo?
Postino. It 's a brochure!
Pasquina. What is it?
Pantaleo. A depilande!
Pasquina. And if they intend to do that old man who has already stripped?!
Gennaro. Mo, let me see me. (Reading) "Ca-ca-rel!
Dorothy. What rubbish!
Gennaro. (Browse) Well, no, I do not think so ... ... well! ... Aho!
Postino. That is langer!
Mingucci. (PEEK) You got to Angelina! ...
Peppino. Uuuuh! ... And these?
Postino. I'm reading light, Guepierre, tights!
Meme. The necklaces? Mo, let me see! (After watching) Oh ... bad depraved! The little women nude go looking at?
Duke. I will deliver it to the recipient!
Meme I give you one thing missing arricapiterà you imagine, if you look at the rubbish!
Dorothy. I'll take him to Mimmo!
Meme And yes, so he was a heart attack and you pick up your bed! We acknowledge, 'I'll take to fix this ugly thing!
Postino. And this is the last. John Barracuda!
Pantaleo. Madu!
Genzella. Bluebeard!
Gennaro. And do not cry out that what you hear!
Postino. Can you show me the way?
Peppino. The one where you came from!
Meme. Go away, sir, let it be that letter!
Postino. But it is the last, and it's my first day at work!
Duke. If you try to deliver it, it might be the last of your career!
Postino. And there's so terrible about this ...
Dorothy. Bluebeard! All
. And do not cry!
Gennaro. Provesso ', that was in jail!
Genzella. It 's a murderess!
Pasquina. A real killer!
Mingucci. Do you remember you that story, which put her well over the newspapers ...
Pasquina. The year that I sgravai of Sabbellina!
Pantaleo. That Christian ...
Pasquina. What killed that person ...
Genzella. Whether that ... denungiò
Postino. I did not understand anything!
Duke. We need to apologize. are Southern! ... Do you remember the murder Benincasa?
Postino. Well? All
. And 'He did it!
Postino. So are you that you do not remember! The crime of Cavalier Benincasa I remember it very well: a worker was accused ...
Meme. Murderer!
Postino. He finished well in prison ...
Peppino. That thug!
Postino. ... But it turned out that the murderer ... she was the mistress of the knight!
Dorothy. But even if it was not him, there was in jail! All
. Eh!
Pantaleo. And if it's been in jail, that nannorco, something-something has made a virtue! All
. Eh!
Genzella .. And even if he did not, that the could do, which is ugly as sin, mortal!
Pasquina. It takes a voice, provesso ', that every time I have to cut the worms fear!
Postino. So, you want to show me the house!?
Dorothy. Professor, do not you feel! (THE POSTMAN mail the letter)
Postino. Again, this is done, and I can remove the noise!
Meme. You're leaving already, Professor?
Postino. Yes, I'm going to teach somewhere else! (Walks away)
[...]

SCENE 12 (Marietta, Pasquini, Genzella, Gennaro Pantaleo, Mingucci, voice of Bluebeard)
Gennaro. Pantaleo! Call State-Warning! ... Pantaleeee!
Pasquina. Luscialorda me? And your eyes do not blind you know them!
Gennaro. Run, Mingucci, come and take your sister!
Pantaleo. And that you can not difrescare a mango momendo the bones ground!
Mingucci. Na, has run risbegliato the greatest player of trump! Did you sleep well, state-warnings?
Pantaleo. And, that now I have to give satisfaction to you?
Mingucci. And certainly, that quanno grufui you, my house shakes worse than tramoto!
Genzella. Auandami, Mingu ', which at the mo that sticks to the wall!
Pasquina. Pandal ', allaaaaassami that the Shang mo of legs, that serpent!
Pantaleo. Easter, do not agitaaaare that the child fails! Mo give me a seat!
Genzella. And yes, well, that now we give the throne to Reggina! This seat is mine!
Gennaro. But I want to understand that this is the chair of the good soul!
Pantaleo. Mo these seats we need to Pasquina!
Mingucci. But you must seek permission from me!
Gennaro. And you have to look to the good soul!
Pantaleo. EU were warned that the mo ve spascio the seats!
Genzella. Pasqui 'crack-and-shoot, that the seats you can Sonnar assolamende my!
Pasquina. I planking addove seems to me, okay?!
Genzella. And I Scazzi when I think of me, and we see it unless you get up before mo!
(CRY ALL AT THE SAME TIME)
item Bluebeard. If you do not shut up all ... (everyone is silent) I'll kill you and rip your heart, filthy disgusting worms! (All run).
[...]

SCENE 18 (Marietta, Psycho)
(MARIETTA, THE MAID OF THE COUNTESS, looking for someone to be entrusted temporarily Pupetto. ENTERS A psychopath)
Marietta. Sorry, you look well 'nu pleasure?
Psycho. Odysseus ... I am ... and I must return to my land!
Marietta. But there Primm ca Turn ... to your cambagna, ca nun is ...
Psycho. I'm Nobody! ... None!
Marietta. Eh ... 'or sack: and farmers ... nun Propp count anything! ... But please m'o facite nu? Quanno ...
Psycho. Do not tempt me, Calipso: Hermes ... brought you the message!
Marietta. Or message me? ... D'or worm? ... But vuje madness!
Psycho. Hermes, the winged god!
Marietta. But S TO NU side and is missing from the ato! Look, Odissi '...
Psycho. You lie, Calypso!
Marietta. Mo ve been to cunfonnere: i 'nun song'o Caliph! But there was a comme ... dicere
Psycho. Nausica-are you at? The daughter of Alcino-o?
Marietta. No, the 'song-to Marietta,' a figli'e Ciccillo-o, and in anger ... Hadj
Psycho. In the island of Ee-a?
Marietta. Jesus! But comme speaks chiste?! ... Odissi, 'i' Hadj to take in petunia 'and Michele!
Psycho. Who is it?
-Marietta and Michael!
Psycho. Ah!
Marietta. But I wish 'to Pupetta:' Screw comm'è criusa 'to Pupetta of a cuntessa?
Psycho. But this is ... Argo!
Marietta. No! But how wide is ca nu scazzamauriello! .. Me, facitammillo 'students like:' to keep vuje vache ca je to fetch 'a petunia, ca nun chille help me!
Psycho. There are suitors?
Marietta. You know 'queer nun' or sack, decimme know about '...' na main 'and fetentoni!
Psycho. I have to kill them!
Marietta. Odissi ', 'I streminate' n'ata vote, mo, teniteme 'or dog!
[...]

SCENE 23 (four tourists, Peppino, Dorothea, Duke, Meme, Pasquini, Pantaleo, Genzella, Gennaro Mingucci)
Gennaro. But today is a day of new faces!
Pasquina. Who is who is to come?
Genzella. Mingu ', run, of foreigners who are to arrive!
Dorothy. E 'Isolina! E 'come at last!
Pantaleo. Run, Easter, 'the annucia Patane, now we have to day!
Eliana. Charming ... very impressive!
Virginia. Mom, you feel that air: no traffic, no smog, but this is heaven!
Dorothy. (Runs to embrace him ELIANA) Isoliiiiina!
Eliana. There is a misconception ...
Dorothy. How you've changed, my child!
Eliana. Madam, I lasciiii!
Dorothy. As you lean! And you've become too low ...!
Peppino. Yes ... It 's just another person!
Eliana. Indeed! ... I am Dr. Eliana Precious!
Dorothy. (SAILED TO VIRGINIA) So you ...
Eliana. No, Virginia ... This is my daughter.
Peppino. Senile! And mo, I apologize to Girgin and liana!
Dorothy. Excuse me, lady!
Pantaleo. Accattatevi the moooolle, happy to those who voooolle!
Pasquina. The pimmidori and patane! Accattale, Sir 'and then I bless you!
Bianca. No, Gvaz, I am in the kitchen macvobiotica!
Genzella. The want the taps that they will need in order to hang the pictures?
Virginia. But this machine is-gitale!
Genzella. And even if it is not yours, accattatevele that the photos are free!
Eliana. Which photos?
Genzella. A choice of Mingucci or baptism, communion or mine!
Mingucci. And do not throw them all on but do not breathe mango!
Eliana. Here, we keep our distance ... yes!
Mingucci. Did you send? They want coffee assolamende: tornatevene to your homes! (Seeing the old men sitting at CHAIRS OF THE BAR) Na! ... And this defect is that you keep! The seats you do not need to eat my acchimindare!
Duke. If not changed ways, I will teach education: a sword!
Mingucci. Oh, but that we do is fight, but get rid of the local mo! (The old men get up)


SCENE 24 (four tourists, Peppino, Dorothea, Duke, Meme, Genzella, Gennaro Mingucci)
Mingucci. If you want to trim the ladies! Noooo! ... Not to v'ammenate Chiummo ... you had to spasciare the seats!
Virginia. If this is not safe, because I do not give another?
Mingucci. They are all in a way! Where there has been tramoto, these seats only I could save this ...
Gennaro. This not even belong to him ... that was the good soul!
Mingucci. 'Gghi'all'anima your !...( TO TOURISTS) What can I serve you?
Augusta. Look, I and Dr. Bianca Rossi Bianca ...
. ... Conjugated Vevdi
Augusta. Yes ... we are part of the "League for the Defence of sciuropterus russicus.
Bianca. Povevo sciuvoptevo: do you think give him a hunting fevoce!
Mingucci. Well, everyone keeps his problems! But I wanted to know if you want a nice coffee!
Eliana. I would like a double malt whiskey!
Mingucci. Well, double ... is over!
Eliana. Then a normal whiskey!
Mingucci. Really we do not eat what!
Virginia. For me, an orange Fanta.
Mingucci. No, Fanta ... nothing!
Virginia. San Pellegrino?
Mingucci. Really ...
Virginia. ... Do not you orange!
Mingucci. No! ... But I can make a nice coffee!
Eliana. So: two coffee!
Mingucci. And you, madam, what you want?
Augusta. I wish you would put an end once and for all, to hunt sciuroptero!
Mingucci. Okay, 'the sciurottolo we understand, but take it coffee, you and the lady here that I do not remember the color ...
Bianca. Bianca Voss, married Vevdi. He knows how to take it? With tvappole and laces!
Mingucci. The coffee?!
Augusta. But noooo! The sciuroptero! They take advantage of when it is ground, the cowards!
Bianca. And cevto! Pevchè on tevveno is clumsy and insicuvo!
Augusta and Blanche. Because of patagio!
Mingucci. Which way ... sorry!?
Augusta. Of the patagio patagio ...!
Genzella. (Entering) Okay appreparo the coffee?
Mingucci. Apprima we assistemare the sciurottolo!
Genzella. And that takes issue?
Mingucci. (THE AUGUSTA) ... Holds the patagio!
Genzella. And this ... patagio, there can seize the coffee?
Augusta. But not me! The sciuroptero!
Genzella. Ah ... The sciurottolo not catch him, but you, but ...
Bianca. Signova, the sciuvoptevo is a beast!
Genzella. Ah!
Augusta. And give him a fierce fighter!
Genzella. One sees that keeps the fur good, this ... sciurottolo!
Bianca. Noooo! The sciuvoptevo has a fur coat and no poveva valove!
Augusta. Because she does not adhere to our League?
Genzella. I? ... No, thanks, with these things I do not own accapezzo!
Bianca. There is nothing to capive: these things you just ... sentivle, ... is a pvoblema
Augusta and White: ... of feeling!
Augusta. You do not mind giving him the hunt!?
Genzella. Well ... is not that much ... and I imborta comungue, what can I do?
Augusta and Blanche. A small subscription!
Genzella. Sign ', we do not we ... ...
Mingucci and Genzella. Mango's eyes to cry!
Mingucci. But at least it's good to eat this ... sciurottolo?
Bianca. Smear: the cavne is not even edible!
Mingucci and Genzella. So what changes do!?
Augusta. As that field do? Have you ever heard of the food chain?
Bianca. The evbivovi ...
Augusta as sciuroptero ..!
White .... Eat vegetable matter, and cavnivovi ...
Augusta and Blanche. ... Such as the sable!
White .... Evbivovi eat!
Augusta. And if they die out ... those poor sciuropteri
Augusta and Blanche. It would be the end of the sable!
Mingucci. Then, with the permission of ... sciurottolo, mo apprepariamo four coffee hot hot! (COME TOGETHER IN A HOUSE GENZELLA)

SCENE 25 (four tourists, Peppino, Dorothea, Duke, Meme)
Eliana. (Alluding to the old man in FEET) A country is judged by how it treats the elderly!
Virginia. It 's true! ... Look at these poor people: abused tired ...!
Vecchietti Eh!
Peppino. Madam, I keep a callus, but one gets used to the pain ... And that gives me! ... But ... Mingucci
Virginia. Eh ... Mingucci!
Dorothy. I can not do it to stay still standing, but the chairs ...
Eliana. And now ... the chairs!
Virginia. But there is a bench!
Vecchietti. E 'Leopold!
Dorothy. And what kills us when we're sitting!
Virginia. Aha!
Eliana. But there are always charities: do not speak '... UBPUA
Meme. No! What is it?
Virginia. "A walking stick for an old" collect subscriptions to raise the awareness to help the lonely and in distress.
Dorothy. The old like us!
Eliana. Certainly, who is sensitive to the problem may join our association!
Peppino. How do you do?
Eliana. It 's simple: you pay the fee on' enrollment of 800 € and 500 € per month then!
Vecchietti. Aho!
Virginia. Who is "sensitive to the problem" ... it does!
Duke. Madam, we are very sensitive to the problem, but if we have
Of this sum ... Peppe. ... We did not need the help of 'association!
Vecchietti. Eh!
Eliana. It 's the same old mentality mean and selfish!
Virginia. But not always just think to yourself, help others!
Meme. Sorry, but to us who helps us?
Vecchietti. Eh?
Eliana. Others! The other old people in need!
Peppino. Those who help us?
Virginia. Yes! It helps the association to help each other!
Eliana. And the elders help the association!
Virginia. Certainly! If we become volunteers helped us, we would stop ...
Peppino. ... To help the elderly to help volunteers!
Eliana. Exactly! There is also a sector that deals with immigrants.
Virginia. But you know how difficult it meets these poor people find a house, a job ... ... a
Eliana bit 'of warmth, understanding!
Eliana and Virginia. We need solidarity!

SCENE 26 (four tourists, Peppino, Dorothea, Duke, Meme, Tsufai, Petar, Genzella, Pasquina)
Tsufai. (ENTERING IN A SQUARE AND BEST VIRGINIA) My name: Tsufai; poto bela tourist Girgin help?
Virginia. Virginia! ... And I need help!
Peppino. Already the 'help' us!
Petar. Bela sinorina! Never seen so much sinorina belisima!
Virginia. We keep your hands to yourself!
Tsufai. I Girgin Whither he leads!
Petar. I Girgin door!
Tsufai. I said first!
Petar. I first thought!
Tsufai. I first saw!
Virginia. Ooooh! ... I do not take me anywhere, it is clear?
Genzella .. EU, which went from finding you miss?
Dorothy. If they want to marry!
Peppino. And yes, so do not let us raise them more than before!
Duke. You go home!
Petar. Nobody give us home, to Italy!
Eliana. Why reduce as a dump!
Peppino. But tornatevene to your country!
Tsufai. No job to stay in Albania!
Pasquina. EU Stufai, if you wanted labors, and Latin America is here is there!
Virginia. Come with the desire to do nothing and then you complain that you do not find work, parasites!

[...]

SCENE 35 (Marietta, psychopath, Pasquini, Genzella)
Marietta. (Entering) Odissi '! ... And Pupetta?
Psycho. That hideous monster!
Marietta. Indeed!
Psycho. Only lived, and from all away!
Marietta. Ma 'and who were parlanne?
Psycho. Fierce and free from suffering!
Marietta. Vuje decite 'Bluebeard' and ...? ... And what a co nce cape Pupetta isso?
Psycho. We had a heart attack, to hear that voice ... cuuuupaaaa!
Marietta. Uh Maronna! Chille has Allucci and 'to fear and mettette Pupetta if it fuiette!?
Psychopath. Noooo! ... We could not escape!
Marietta. Ah! Whew!
Psycho. We were in the den!
Marietta. The other? And what else? ... Jesus! I 'chiste a nun or understand! ... (Knocked at the window of Pasquino) Easter', Pasquinaaaa!
Pasquina. Mo made me scofolare the house you want?
Marietta. Easter, all at vuje heard about ancestral done, help me to understand is facenna!
Pasquina. No! .. I did not send niende, which I do on my own!
Marietta. Jamme, Easter, vuje been sempe network 'and llastre and Propp mo nun ancestral heard!
Pasquina. Ah ... The fact of Bluebeard ...
Marietta. Gnorsì!
Pasquina ... we shouted at the dog Condessa!
Marietta. Eh! Chiste But there was also received about n'ate!
Pasquina. Another dog angora?
Marietta. And that sack!
Pasquina. Mo, tell me! And this dog was, was what looks like a sheep?
Psycho. Yes ... we fled attached to his belly!
Pasquina. Ah ... I understand!
Marietta. And me, myself lean faciteme understand me!
Pasquina. He said that he, the inzieme Pupetta and sheep-dog, you are ... stuck in the belly!
Marietta. The belly 'who?!
Pasquina. The belly's, and that is my belly? It 's true, Odissi'?
Psycho. Yes ... And fled from the antrum!
Pasquina. And he ran away ... the other!
Marietta. N 'Atomic Dog angora?
Pasquina. Eh!
Marietta. But mo, all sti dog, rounded 'are?
Psycho. Circe took us with them!
Marietta. Who is ... is mo ata Ciccia!?
Psycho. Circe Maliosa!
Pasquina. What keeps the madness!
Psycho. That witch ...
Pasquina. That bat bat!
Psycho. The goddess of beautiful hair!
Pasquina. It 's a frostiera!
Marietta. And vuje comm'o sapite?
Pasquina. And you did not send that comes from Como!?
Psycho. He took me with her in his bed ... and together, in the thalamus ...
Marietta. Upright man who has?
Pasquina. He said Ciccia inzieme took them all over the bed in the middle of the moth!
Marietta. Pure 'a dog-eo Pupetta pecura?
Pasquina. And well! If you kept them glued to the belly!
Genzella. Marie, come here that I understood everything! Do you know who this is coming from Ciccia Como? ... That's Romanian!
Marietta. Aline?
Genzella. Gnorsì just Evil! And you did not send that took it above the bed? That is the art that goes by!
Pasquina. That 'ndrocchia!
Genzella. Send, this young, Ciccia What say you, is evil, right?
Psycho. Yes, the evil goddess ...
Genzella. Did you send?
Psycho ... that infused in wine filters fatal!
Marietta. Maronna! We have compiled the invoice has Pupetta?
Pasquina. And you wonder: that's capable of anything to take me to our husbands!
Psycho. It transformed them into pigs!
Genzella. Well, then, is not that struggled much!
Marietta. But we are all pigs sti rounded they are?
Psycho. To kill them, Athena turned me into a beggar!
Marietta. 'A tene' or beggar? Leopold?
Psycho. But who are you?
Marietta. Comme Who song? Je songe sempe Marietta-a, to figli'e Ciccillo-o, ca thee chella rate 'or a dog, ca tenive attacked' a panza, Mieze 'and moths, ncoppa' or read and chella vajasse! ... et'o perzo you! ... E mo ca ' sape or to cuntessa m'accide 'and beat you!
Psycho. But it's crazy! This is crazy! E 'pazzaaaaa! (OUT).
[...]
SCENE 46 (Bluebeard)
(Bluebeard 'COME IN SQUARE AND SIT ON THE BENCH. Pupetto comes into the picture, dirty and torn, just escaped DALL'ACCALAPPIACANI)
Bluebeard. Ah ah ah ... The "noble creature!" ... The aristocratic dog "very aristocratic Countess "... reduced as a dirty bastard who stinks! Ah ah ah ... And try it ... try it now to feel your breath "aristocratic" ... if you can! ... I chased him in the throat! ... Because ... it is no longer a "noble yelp! No! ... ... Now it's just an annoying complain, the barking of an angry bastard ... that must be silent! And we're even! .... Did you try the bars, too! ... For an hour, a year, a life? Who cares? Does not change: you're lost! ... You're branded! ... But the bars inside - those damn bars! - "Inside" ... we have all the way ... we've all! Parts ... of iron in the 'soul! ... To keep out those like you, like me, like them! To keep out the stench ... our growing, and increasing more and more to the arrogance, the stupidity of those who do not know, who does not understand ... but judges ... judge! ... What you're trying, I know, and they know them, the Albanians know it! ... They know the gypsies, the southerners, the old men ... I know ... but then ... well forget them! ... Shit ... The stupid south who are fighting over nothing, and devour it with resentment and anger of those who have nothing to lose ... because of fears that "nothing" because of those under him ... less than nothing! ... It ' natural instinct? ... Maybe it's just revenge ... to refer to what life does not ... giving to others ... but not you! And 'the struggle between the poor! ... But no one pays attention: too many important issues ... (the public) is not it? ... Or maybe you have one gets used to ... (insert the public) But watch them there! ... "Life education and solidarity! "... Have you enjoyed the show? ... Bravo! ... Once again you have done" the audience "... as always! I speak to you, ma'am, "the front row!" ... You used to laugh watching these miseries! ... And that man over there ... in a suit ... yes, You, yourself! ... not your fault, right? Certainly! You are sensitive! You just put your wallet ... you! ... But do you really think that it is enough to throw 20 cents all'accattone ... or maybe something more, his hand full of rings ... for charity! ... But the important thing is that you know! ... If no one comes to know that good is making the offer, right?! ... No, ma'am ... not enough! It is not enough! ... Bars! ... Those damn bars that we have inside! ... We all have inside! To keep out those who have nothing, who stinks ... and "even" ... would want to sit next to us! ... Those who are different, and yet, if he is lucky, he has two legs like us! Like us ... And you Pupetta? ... You who will have four legs? ... Four is too much to walk around a friend? ... No ... not behind! ... And even on! ... C'mon ... Pupetta camminami the side!